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| 281.
16983 Toshiko Takaezu: An Analysis of Cross Cultural Influences This sixteen-page graduate paper examines the ceramic artistry of Toshiko Takaezu and other ceramic artists, and discusses the influence of Japanese and other cultures on their work. The author notes that Toshiko has devoted herself to pottery and teaching since she began her artistic career in 1948. She has enriched and inspired ceramic artists around the world for more than half a century, and like many ceramic artists who share similarities of style and theme, she is the product of a number of cultural influences which have contributed to the unique artistic sensibility so evident in her work.
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| 282.
16985 Art Deco This short 3 page paper briefly looks at the history of Art Deco. It explains how the name of the movement came about, examines its relationship as a concept to other artistic styles and suggests briefly what is meant by Art Deco. Then as an example of this art form we look at the life of Tamara de Lempicka, who's name is synonymous with the time frame.
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| 283.
19984 Compare and Contrast Two Pieces of Art This paper briefly compares and contrasts two pieces of artwork in respect to their relation to their audiences at the time of their creation. The two pieces of artwork are the Greek ?Statue of a Kouros? and the ?Human- headed Winged Bull and Winged Lion? from Mesopotamia. As both date from approximately the same time period (590 and 880 BCE, respectively), these artworks are thus exceptional means of comparing the significance of art on different societies.
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| 284.
20059 Gary Hill - Video Artist This paper briefly describes the concepts behind Gary Hill's work, how he started and some of the influences on his own work. It then examines one of his works in detail, "Between Cinema and a Hard place" and looks at the different concepts Hill portrays and how the many hidden subtexts within his work, are vastly different from any first impression a viewer may perceive.
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| 285.
20061 Gian Lorenzo Bernini's Apollo and Daphne In this paper, we will examine Gian Lorenzo Bernini's Apollo and Daphne. Bernini created Apollo and Daphne over a three-year period, with some interruptions, beginning in the summer of 1622, when he was twenty-three years old. It was Commissioned by Cardinal Scipione Borghese, and was the third in a series of life-size marble sculptures he ordered from Bernini to adorn his villa outside the Porta Pinciana, the others being the Aeneas and Anchises (1618-19), the Pluto and Proserpina of 1621-22, and the David (1623-24). The group's delivery to the Villa Borghese in the fall of 1625 completed this series of statues. In this paper, we will examine Benini, the time in which Bernini created Apollo and Daphne. We will also look deeply and critically at the work of art itself. Let us now take a brief look at the period in which Apollo and Daphne was created.
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| 286.
20079 Donatello's David Donatello ? the name used professionally by Donato di Niccolò di Betto Bardi, one of the greatest of all Italian Renaissance artists whose work in bronze was rivaled by that of his work in marble, is today remembered for the entire opus of his work, as well he should be. But he is most particularly remembered for a single piece, his bronze statue of David, and that this one work of his should after so many centuries stand out is also fitting, not only because of the intrinsic beauty of the figure, not only because it was the first freestanding nude made and displayed since the Renaissance, but also because the work illuminates the complex system of artistic production and artistic patronage that existed in the early years of the Renaissance, especially in regards to the de Medici family.
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| 287.
20102 The Sarcophagus of Santa Maria Antiqua and the Last Judgment Carved by Gislebertus This paper compares two art works, both Christian in inspiration, the Sarcophagus of Santa Maria Antiqua found in 1901 and the Last judgment carved by Gislebertus at Laszare Athedral at Autun in the twelfth century, two works that have not only represented an ancient artistic heritage but have also been important in the development of Christianity and in how Christians view themselves and their relation to the ancient world today.
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